Conference Description
Images play a dominant role in shaping our culture and constitute one of its most fundamental media. Their propagandistic potential—as tools capable of shaping perceptions and attitudes—has been effectively employed in organized societies since antiquity.
Each historical era has assigned different forms and meanings to visual tools of persuasion, utilizing diverse media such as architecture, sculpture, painting, photography, film, and printed materials. Today, visual messages saturate our everyday lives, continually influencing our opinions, emotions, and behaviors. The persuasive power of images has found particularly strong expression in the age of digital media.
The aim of the conference is to explore the broad spectrum of the propagandistic power of images. We wish to focus on both static and moving visual forms as instruments of influence on audiences’ opinions and emotions. The conference seeks an interdisciplinary approach, inviting contributions from art history, sociology, media and communication studies, psychology, history, and the arts — from both theorists and practitioners.
This event continues the discussions initiated during the December 2024 conference “Iconography of Protest. Visual Manifestations of Dissent from the 19th Century to the Present.”
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Suggested Topics
• Transformations in the definitions, roles, and forms of visual propaganda across history
• The propagandistic potential of visual arts and architecture, and their service to totalitarian systems
• The role of visual propaganda in wars and revolutionary movements
• History as an object of contemporary propaganda
• Digital media as the dominant carriers of visual persuasion
• Visual propaganda as a tool of political communication and ideological struggle
• The goals and audiences of propaganda, and the choice of visual means
• Theoretical foundations of constructing persuasive visual messages
• Mass events and their visual settings as instruments of social influence
• The image and the shaping of national identity — its cultural and myth-making functions
• Psychological mechanisms in the perception of visual propaganda
• Creators, mediators, and audiences: processes of producing and receiving persuasive imagery
• Museum and archival collections related to propaganda
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Important Dates
• Submission deadline: 31 December 2025
• Notification of acceptance: 30 January 2026
• Conference dates: 12–13 March 2026
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Practical Information
• Venue: European Solidarity Centre, Library (1st floor), Plac Solidarności 1, Gdańsk
• Language: Polish
• Conference fee: None
• Catering: Complimentary refreshments and meals will be provided during the conference
• Accommodation: Participants are responsible for arranging their own accommodation; the organizers can offer assistance in choosing suitable options
• Publication: Selected papers will be published in a peer-reviewed and indexed post-conference volume
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Organizers
European Solidarity Centre
Organizing Committee:
Jerzy Klimczak, Karolina Lejczak-Pastuszka,
Dr. Grzegorz Piotrowski, Dr. Magdalena Staręga